Awards and Reviews

Awards:

• 2007 Coretta Scott King Literature award
• 2007 Ohioana Award for Young Adult Literature
• Top Ten Historical Fiction Books for Youth by Booklist
• Nominated for the 2007 NAACP Image Award for Literature
• IRA Notable Book for a Global Society
• Best Book of the Year by School Library Journal
• Listed on the New York Times Bestseller List
• Chosen by the National Underground Railroad Freedom center as a major museum exhibit
• Chosen by the International Reading Association, the United States State Department, and Reading Across Continents as the novel to be read by students from the US and Africa.

KIRKUS REVIEW
Poignant and harrowing, this narrative of early America alternates between the voices of enslaved Amari and indentured servant Polly, building a believable interracial friendship centered on the common goal of freedom. Amari is captured from her idyllic home in Africa, and sold into slavery in the New World. While accounts of the attack on the tribe and the Middle Passage are ephemeral, the story hits its stride upon Amari’s arrival in colonial South Carolina. At the slave auction, the reader is introduced to Amari’s new masters and Polly, who is a new servant in their household. Polly initially dislikes the African slaves, viewing them as strange competition for limited work, yet grows to sympathize with Amari’s plight when she is repeatedly raped by the master’s son, Clay. Polly’s cynicism and realistic outlook on life provides a welcome contrast to the lost innocence of Amari, whose voice often disappears beneath the misery of her circumstances (save for in one unforgettable passage at the end, where she encounters her betrothed from her village, and mourns the loss of what might have been). Sobering, yet essential. (Historical fiction. YA)

BOOKLIST REVIEW

Best known for her contemporary African American characters, Draper's latest novel is a searing work of historical fiction that imagines a fifteen-year-old African girl's journey through American slavery. The story begins in Amari's Ashanti village, but the idyllic scene explodes in bloodshed when slavers arrive and murder her family. Amari and her beloved, Besa, are shackled, and so begins the account of impossible horrors from the slave fort, the Middle Passage, and auction on American shores, where a rice plantation owner buys Amari for his 16-year-old son's sexual enjoyment. In brutal specifics, Draper shows the inhumanity: Amari is systematically raped on the slave ship and on the plantation; a slave child is used as alligator bait by white teenagers. And she adds to the complex history in alternating chapters that flip between Amari and Polly, an indentured white servant on Amari's plantation. A few plot elements, such as Amari's chance meeting with Besa are contrived. But Draper builds the explosive tension to the last chapter, and the sheer power of the story, balanced between the overwhelmingly brutal facts of slavery and Amari's ferocious survivor's spirit, will leave readers breathless, even as they consider the story's larger questions about the infinite costs of slavery and how to reconcile history. A moving, personal author's note discusses the real places and events on which the story is based.